As a child of the 1970s, I grew up with Camberwick Green, Trumpton and Chigley, the stop-motion puppet animation television series created by Gordon Murray, set in the fictional English county of Trumptonshire. The village, the town hall, the factories and railway. Three little worlds that made sense together. You knew who did what. You could see how one bit connected to another.
Real places are bigger, messier and more unequal. Yet with more strategies, data and partnerships than ever, I sometimes wonder whether we can see the whole place as clearly as we could in a children's programme.
